Submitted by Annie on Tue, 11/25/2008 - 09:52.
Enigmatic show is true to spirit of Bokononism Simon Parker, Western Morning News, 25th November 08
LIKE jazz-funk, folk-rock, pop-punk or country-soul, a new name may soon have to be coined for the fusion of theatre and film.
Moving images have, for some years, been used in theatrical productions as a device to illustrate everything from the passage of time and back-story to a change of location. But when does film stop being simply a hi-tech addition to the props box and achieve parity with the live performers? The answer is in Miracle Theatre's ingenious and thoughtful adaptation of Kurt Vonnegut's apocalyptic novel, Cat's Cradle.
Distilling the many elements of Vonnegut's tortuous plot into the space of a 90-minute play was always going to be a chancy endeavour. Indeed, the fact that no other British theatre company has ever staged Cat's Cradle says a lot about the tricky task Miracle set themselves. However, artistic director Bill Scott and his team have managed to unravel these complexities without losing any of the original script's weird otherworldliness.